Carmen Lundy Good Morning Kiss



Lundy was born November 1, 1954, in Miami, Florida, and at the age of six began to study the piano. Her mother, Oveida, was the lead singer in a gospel group known as The Apostolic Singers. After Lundy joined her church junior choir, she decided to become a singer when she was 12 years old. While an opera major at the University of Miami, where she received a BA in Music, she sang with a jazz band and decided to sing vocal jazz. She cites Dionne Warwick, Roberta Flack and Stevie Wonder as being among her first influences. She moved to New York in 1978 where she was hired by the Thad Jones/Mel Lewis Jazz Orchestra and performed her first New York engagement at the Village Vanguard in Greenwich Village. The following year she had her first appearance on a self-titled album from a group called Jasmine featuring Bill O'Connell and Steve Berrios (West 54 Records). In 1980 she formed her own trio, performing with pianists John Hicks and Onaje Gumbs. She has also performed with Walter Bishop Jr., Don Pullen, Mulgrew Miller, Billy Childs, Terri Lyne Carrington, Kip Hanrahan, Courtney Pine, Marian McPartland, and the band Quasimode. Lundy has composed and published over forty songs. Her compositions have been recorded by such artists as Kenny Barron ("Quiet Times"), Ernie Watts ("At the End of My Rope"), and Straight Ahead ("Never Gonna Let You Go"). Lundy's first album, Good Morning Kiss (1985) was an album of original compositions, and was reissued in 2002.[3] Her second album was Night and Day (1986), and featured musicians Kenny Kirkland (piano), Alex Blake (bass), Curtis Lundy (bass), Victor Lewis (drums), Rodney Jones (guitar), Ricky Ford (tenor sax). Lundy played the lead role in the European tour of Duke Ellington's Broadway musical, Sophisticated Ladies. Off-Broadway she portrayed Billie Holiday in Lawrence Holder's They Were All Gardenias. She made her television debut as the star of the CBS Pilot-Special Shangri-La Plaza (1990) in the role of Geneva. The John F. Kennedy Center for the Performing Arts website has called Carmen Lundy "a woman of many faces: composer, arranger, producer, actress, painter, and sophisticated vocalist well known for her progressive bop and post-bop styling's--an uncompromising jazz singer whose every note is bulls-eye accurate" (The Los Angeles Times). "Equally adept at love-struck ballads, songs of heartbreak, or full-out swing, Lundy wields a voice of agility and seductive allure [that] make for a potent combination."[4] In 2005 Lundy and producer Elisabeth Oei launched the label Afrasia Productions with Jazz & the New Songbook: Live at the Madrid recorded live at the Madrid Theatre in Los Angeles, also released on DVD. Lundy draws on repertoire from her previous recordings, backed by brother Curtis Lundy and Victor Lewis, pianists Billy Childs, Robert Glasper, Bobby Watson, Phil Upchurch, and Mayra Casales, a percussionist, who also released on Afroasia (the only one beside Lundy so far.)[5] The labels second release was Come Home, her tenth album, featuring Geri Allen andSteve Turre, followed by Solamente, an album with recordings that originally served as reference demos, where she was playing all instruments herself.[6] Lundy's oil on canvas paintings have been exhibited in New York at The Jazz Gallery (Soho) and The Jazz Bakery, and in Los Angeles at the Madrid Theater



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Jonas gwagwa

Jonas gwagwa
79,99 ZAR each

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Jonas Mosa Gwangwa (born 1941 in Orlando EastSoweto)'' has been an important figure in South African jazz for over 40 years. He first gained significance playing trombone with The Jazz Epistles. After the group broke up he continued to be important to the South African music scene and then later abroad''.

''In the 1960s he began to gain noticed in the United States and in 1965 he was featured in a "Sound Of Africa" concert at Carnegie Hall. The others at the concert included Miriam MakebaHugh Masekela, and Letta Mbulu. Despite that he was not seen favorably by the apartheid government so left his homeland in the early 1970s''

''In later life he became important as a composer doing the scores of films like Cry Freedom and at the 60th Annual Academy Awards in 1988 he performed his nominated song Cry Freedom. Also in 1988 he performed at the Nelson Mandela 70th Birthday Tribute in Wembley Stadium. In 1991 he returned to South Africa and in 1997 he composed the theme for their Olympic bid''.

His autobiography has recently been written by acclaimed music academic Colette Szymczak

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