After the success of the first two albums, Daulne put her career on hold for a few years to birth and mother her daughter Kesia. Upon returning to her music, Daulne moved in a new direction. She chose to record Seven as the sole remaining member of the original Zap Mama. Her music had evolved stylistically as well. Adventures in Afropea 1 and Sabsylma had both been largely a cappella, but Seven broke with the past by including male musicians and vocalists, an increased number of instruments, and more songs in English. "I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life," says Daulne. The title of Seven (1997) refers to the seven senses of a human being. When Daulne traveled to Mali in 1996, she had learned the Malian belief that in addition to the five senses known in the West, some have a sixth sense of emotion. "But not everyone has the seventh. It is the power to heal with music, calm with color, to soothe the sick soul with harmony. [The man who taught me about this belief] told me that I have this gift, and I know what I have to do with it," Daulne says. Daulne's next album was A Ma Zone (1999). The title is a wordplay meaning both "Amazone," the female warrior, and "A Ma Zone," (in my zone) which "means that I feel at ease wherever I am," Daulne says. "Naturally an Amazon is a rebel, a fighter who, once she has set her heart on something, pulls out all the stops to achieve her goal. I feel this way as well when I'm standing on the stage with the group-- as a team we share the same aim of winning over the audience with our music," Daulne says. That same year, Zap Mama made "Iko-Iko" for Mission: Impossible IIsoundtrack, a cover of "Jock-A-Mo" by Sugar Boy & the Cane Cutters.