Woody Herman Four Brothers (1945-1947)

Woody Herman Four Brothers
269,99 ZAR each

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Woody Herman's first band became known for its orchestrations of the blues and was sometimes billed as "The Band That Plays The Blues". This band recorded for the Decca label, at first serving as a cover band, doing songs by other Decca artists.[13] The first song recorded was "Wintertime Blues" on November 6, 1936. In January 1937, George T. Simon closed a review of the band with the words: "This Herman outfit bears watching; not only because it's fun listening to in its present stages, but also because its bound to reach even greater stages."[14] After two and a half years on the label, the band had its first hit, "Woodchopper's Ball" recorded in 1939.[15] Woody Herman remembered that "Woodchopper's Ball" started out slowly at first. "[I]t was really a sleeper. But Decca kept re-releasing it, and over a period of three or four years it became a hit. Eventually it sold more than five million copies—the biggest hit I ever had."[16] Other hits for the band include "The Golden Wedding" and "Blue Prelude".[17] Musicians and arrangers that stand out include Cappy Lewis on trumpet and Dean Kincaide, a noted big band arranger.[17]

In jazz, swing was gradually being replaced by bebopDizzy Gillespie, a trumpeter and one of the originators of bop, wrote three arrangements for Woody Herman, "Woody'n You", "Swing Shift" and "Down Under". These were arranged in 1942.[18] "Woody'n You" was not used at the time. "Down Under" was recorded November 8, 1943. The fact that Herman commissioned Dizzy Gillespie to write arrangements for the band and that Herman hired Ralph Burns as a staff arranger, heralded a change in the style of music the band was playing.[19]

In February 1945, the band started a contract with Columbia Records.[20] Herman liked what drew many artists to Columbia, Liederkrantz Hall, at the time the best recording venue in New York City. The first side Herman recorded was "Laura", the theme song of the 1944 movie of the same name.[21] Herman's version was so successful that it made Columbia hold from release the arrangement that Harry James had recorded days earlier.[22] The Columbia contract coincided with a change in the band's repertoire. The 1944 group, which he called the First Herd, was famous for its progressive jazz. The First Herd's music was heavily influenced by Duke Ellington and Count Basie. Its lively, swinging arrangements, combining bop themes with swing rhythm parts, were greatly admired. As of February 1945 the personnel included Bill HarrisSonny BermanPete CandoliBilly Bauer (later replaced by Chuck Wayne), Ralph BurnsDavey Tough and Flip Phillips.[23] On February 26, 1945 in New York City, the Woody Herman band recorded "Caldonia".[24]

Neal Hefti and Ralph Burns collaborated on the arrangement of "Caldonia" that the Herman band used.[25] "Ralph caught Louis Jordan [singing "Caldonia"] in an act and wrote the opening twelve bars and the eight bar tag."[24] "But the most amazing thing on the record was a soaring eight bar passage by trumpets near the end." These eight measures have wrongly been attributed to a Dizzy Gillespie solo, but were in fact originally written by Neal Hefti.[23] George T. Simon compares Neal Hefti with Dizzy Gillespie in a 1944 review for Metronome magazine saying, "Like Dizzy [...], Hefti has an abundance of good ideas, with which he has aided Ralph Burns immensely [...][.]"[26]

In 1946 the band won Down BeatMetronomeBillboard and Esquire polls for best band, nominated by their peers in the big band business.[27] Along with the high acclaim for their jazz and blues performances, classical composer Igor Stravinsky wrote the Ebony Concerto, one in a series of compositions commissioned by Woody with solo clarinet, for this band. Woody Herman recorded this work in the Belock Recording Studio in Bayside New York.[28]

Throughout the history of jazz, there have always been musicians who sought to combine it with classical music.[29] Ebony Concerto is one in a long line of music from the twenties to the present day that seeks to do this. Woody Herman said about the Concerto: "[The Ebony Concerto is a] very delicate and a very sad piece."[30] Stravinsky felt that the jazz musicians would have a hard time with the various time signatures. Saxophonist Flip Philips said, "During the rehearsal [...] there was a passage I had to play there and I was playing it soft, and Stravinsky said 'Play it, here I am!' and I blew it louder and he threw me a kiss!"[31] In his own original way Stravinsky noticed the massive amount of smoking at the recording session: "the atmosphere looked like Pernod clouded by water."[32] Ebony Concerto was performed live by the Herman band on March 25, 1946 at Carnegie Hall.[33]

Despite the Carnegie Hall success and other triumphs, Herman was forced to disband the orchestra in 1946 at the height of its success. This was his only financially successful band; he left it to spend more time with his wife and family. During this time, he and his family had just moved into the former Hollywood home of Humphrey Bogart and Lauren Bacall. One reason Herman may have disbanded was his wife Charlotte's growing problems with alcoholism and pill addiction. Charlotte Herman joined Alcoholics Anonymous and gave up everything she was addicted to. Woody said, laughing, "I went to an AA meeting with Charlotte and my old band was sitting there."[34] Many critics cite December 1946 as the actual date the big-band era ended, when seven other bands, in addition to Herman's, dissolved.[35]

Herman continued to perform into the 1980s, after the death of his wife and with his health in decline, chiefly to pay back taxes caused by his business manager's bookkeeping in the 1960s.[52]As a result, Woody Herman owed the IRS millions of dollars and was in danger of eviction from his home.[53] With the added stress, Herman still kept performing. In a December 5, 1985, review of the band at the Blue Note jazz club for The New York Times, John S. Wilson pointed out: "In a one-hour set, Mr. Herman is able to show off his latest batch of young stars—the baritone saxophonist Nick Brignola, the bassist Bill Moring, the pianist Brad Williams, the trumpeter Ron Stout—and to remind listeners that one of his own basic charms is the dry humor with which he shouts the blues." Wilson also spoke about arrangements by Bill Holman and John Fedchock for special attention. Wilson spoke of the continuing influence of Duke Ellington on the Woody Herman bands from the nineteen forties to the nineteen eighties.[54] Before Woody Herman died in 1987 he delegated most of his duties to leader of the reed section, Frank Tiberi.[55] Tiberi leads the current version of the Woody Herman orchestra.[56] Frank Tiberi said at the time of Herman's death that he would not change the band's repertoire or library.[57] Woody Herman had a Catholic funeral on November 2, 1987, in West Hollywood, California.[58] He is interred in a niche in the columbarium behind the Cathedral Mausoleum in the Hollywood Forever Cemetery.

Concord Music Group's website mentions these awards won by the various Woody Herman orchestras: "Voted best swing band in 1945 Down Beat poll; Silver Award by critics in 1946 and 1947 Esquire polls; won Metronome poll, band division, 1946 and 1953; won NARAS Grammy Award for Encore as best big band jazz album of 1963; won NARAS Grammy Award for Giant Steps as best big band jazz album of 1973."[59] Woody Herman was awarded the Grammy Lifetime Achievement Award in 1987.[60]

A documentary film titled Woody Herman: Blue Flame- Portrait of a Jazz Legend was released on DVD in late 2012 by the award-winning jazz documentary filmmaker Graham Carter, owner of Jazzed Media, to salute Herman and his centenary in May 2013.